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This article is about the genre of TV shows. For the European channel once called "Reality TV", see Zone Reality.
Reality television is a genre of television programming which presents purportedly unscripted dramatic or humorous situations, documents actual events, and usually features ordinary people instead of professional actors. Although the genre has existed in some form or another since the early years of television, the term reality television is most commonly used to describe programs of this genre produced since 2000. Documentaries and nonfictional programming such as news and sports shows are usually not classified as reality shows. Reality television covers a wide range of programming formats, from game or quiz shows which resemble the frantic, often demeaning shows produced in Japan in the 1980s and 1990s (such as Gaki no tsukai), to surveillance- or voyeurism-focused productions such as Big Brother. Such shows frequently portray a modified and highly influenced form of reality, with participants put in exotic locations or abnormal situations, sometimes coached to act in certain ways by off-screen handlers, and with events on screen sometimes manipulated through editing and other post-production techniques.
History1940s–1950sPrecedents for television that portrayed people in unscripted situations began in the 1940s. Debuting in 1948, Allen Funt's Candid Camera, (based on his previous 1947 radio show, Candid Microphone), broadcast unsuspecting ordinary people reacting to pranks. It has been called the "granddaddy of the reality TV genre."[1] Debuting in the 1950s, game shows Beat the Clock and Truth or Consequences involved contestants in wacky competitions, stunts, and practical jokes. In 1948, talent search shows Ted Mack's Original Amateur Hour and Arthur Godfrey's Talent Scouts featured amateur competitors and audience voting. The Miss America Pageant, first broadcast in 1954, was a competition where the winner achieved status as a national celebrity.[2] The radio series Nightwatch (1954-1955), which tape-recorded the daily activities of Culver City, California police officers, also helped pave the way for reality television. The series You Asked For It (1950-1959), in which viewer requests dictated content, was an antecedent of today's audience-participation reality TV elements, in which viewers cast votes to help determine the course of events. 1960s–1970sFirst broadcast in the United Kingdom in 1964, the Granada Television series Seven Up!, broadcast interviews with a dozen ordinary seven-year olds from a broad cross section of society and inquired about their reactions to everyday life. Every seven years, a film documented the life of the same individuals in the intervening years, titled 7 Plus Seven, 21 Up, etc. The series was structured simply as a series of interviews with no element of plot. However, it did have the then-new effect of turning ordinary people into celebrities. Andy Warhol's 1966 film Chelsea Girls showed various of Warhol's acquaintances being filmed by a camera with no direction given; the Radio Times Guide to Film 2007 stated that the film was "to blame for reality television."[3] The first reality show in the modern sense may have been the 12-part 1973 PBS series An American Family, which showed a nuclear family going through a divorce. In 1974 a counterpart program, The Family, was made in the UK, following the working class Wilkins family of Reading. Another forebear of modern reality television were the late 1970s productions of Chuck Barris: The Dating Game, The Newlywed Game, and The Gong Show, all of which featured participants who were eager to sacrifice some of their privacy and dignity in a televised competition. [1] 1980s–1990sReality television as it is currently understood can be directly linked to several television shows that began in the late 1980s and early 1990s. COPS, which first aired in the spring of 1989 and came about partly due to the need for new programming during the 1988 Writers Guild of America strike,[4] showed police officers on duty apprehending criminals; it introduced the camcorder look and cinéma vérité feel of much of later reality television. The series Nummer 28, which aired on Dutch television in 1991, originated the concept of putting strangers together in the same environment for an extended period of time and recording the drama that ensued. Nummer 28 also pioneered many of the stylistic conventions that have since become standard in reality television shows, including a heavy use of soundtrack music and the interspersing of events on screen with after-the-fact "confessionals" recorded by cast members, that serve as narration. One year later, the same concept was used by MTV in their new series The Real World and Nummer 28 creator Erik Latour has long claimed that The Real World was directly inspired by his show.[5] However, the producers of The Real World have stated that their direct inspiration was An American Family.[6] According to television commentator Charlie Brooker, this type of reality television was enabled by the advent of computer-based non-linear editing systems for video (such as those produced by Avid Technology) in 1989. These systems made it easy to quickly edit hours of video footage into a usable form, something that had been very difficult to do before. (Film, which was easy to edit, was too expensive to shoot enough hours of footage with on a regular basis.)[7] The Swedish TV show Expedition Robinson, created by TV producer Charlie Parsons, which first aired in 1997 (and was later produced in a large number of other countries as Survivor), added to the Nummer 28/Real World template the idea of competition and elimination, in which cast members/contestants battled against each other and were removed from the show until only one winner remained. (These shows are now sometimes called elimination shows.) Changing Rooms, a British TV show that began in 1996, showed couples redecorating each others' houses, and was the first reality showTemplate:Fact with a self-improvement or makeover theme. 2000sReality television saw an explosion of global popularity starting in the early 2000s. Two reality series - Survivor and American Idol - have been the top-rated series on American television for an entire season. Survivor led the ratings in 2001-02, and Idol has topped the ratings three consecutive years (2004-05, 2005-06, and 2006-07). The shows Survivor, the Idol series, the Top Model series, the Dancing With The Stars series, The Apprentice, "Fear Factor" and Big Brother have all had a global impact, having each been successfully syndicated in dozens of countries. Currently there are at least two television channels devoted exclusively to reality television: Fox Reality in the United States, launched in 2005, and Zone Reality in the UK, launched in 2002. In addition, several other cable channels, such as Viacom's MTV and NBC's Bravo, feature original reality programming as a mainstay.[8] Mike Darnell, head of reality TV for the US Fox network, says that the broadcast networks (NBC, CBS, ABC and Fox) "might as well plan three or four [reality shows] each season because we're going to have them, anyway."[9] During the early part of the 2000s, network executives expressed concern that reality-television programming was limited in its appeal for DVD reissue and syndication, but in fact DVDs for reality shows have sold briskly; Laguna Beach: The Real Orange County, The Amazing Race, Project Runway, and America's Next Top Model have all ranked in the top DVDs sold on Amazon.com. DVDs of The Simple Life have outranked scripted shows like The O.C. and Desperate Housewives; additionally, many reality shows have been successfully syndicated, including Fear Factor, The Amazing Race, Survivor, Wife Swap and America's Next Top Model. COPS has had huge success in syndication, direct response sales and DVD. A FOX staple since 1989, COPS is, as of 2008, in its 21st season, having outlasted all competing scripted police shows. In 2007, according to the Learning and Skills Council, one in seven UK teenagers hopes to gain fame by appearing on reality television.[10] In April 2008, the Academy of Television Arts and Sciences announced it will give its very first Primetime Emmy Award for Outstanding Host for a Reality Show or Reality Competition on September 21. "Reality television has become such an integral part of television and our culture, so it only made sense for us to create this new highly competitive category," TV academy Chairmen and CEO John Shaffner said in the announcement.Template:Fact Types of reality TVThere are a number of sub-categories of reality television: Documentary-styleIn many reality television shows, the viewer and the camera are passive observers following people going about their daily personal and professional activities; this style of filming is often referred to as "fly on the wall" or "Factual television". Often "plots" are constructed via editing or planned situations, with the results resembling soap operas — hence the term docusoap or docudrama. In other shows, a cinéma vérité style is adopted, where the filmmaker is more than a passive observer—their presence and influence is greatly manifest. Within documentary-style reality television are several subcategories or variants:
Elimination/Game showsAnother type of reality TV is "reality-competition", or so-called "reality game shows", in which participants are filmed competing to win a prize, often while living together in a confined environment. In many cases, participants are removed until only one person or team remains, who/which is then declared the winner. Usually this is done by eliminating participants one at a time, in balloon debate style, through either disapproval voting or by voting for the most popular choice to win. Voting is done by either the viewing audience, the show's own participants, a panel of judges, or some combination of the three. (These programs have also been called "game operas," a term coined by Steve Beverly, a college professor in Tennessee and webmaster of TVGameShows.net.) A well-known example of a reality-competition show is the globally-syndicated Big Brother, in which cast members live together in the same house, with participants removed at regular intervals by either the viewing audience or, in the case of the American version, by the participants themselves. There remains some disagreement over whether talent-search shows such as the Popstars series, America's Got Talent, Dancing with the Stars, and Celebrity Duets are truly reality television, or just newer incarnations of shows such as Star Search. Although the shows involve a traditional talent search, the shows follow the reality-competition conventions of removing one or more contestants per episode and allowing the public to vote on who is removed; the Popstars series also require the contestants to live together during the run of the show (though their daily life is never shown onscreen). Additionally, there is a good deal of interaction shown between contestants and judges. As a result, such shows are often considered reality television, and the American Primetime Emmy Awards have nominated both American Idol and Dancing with the Stars for the Outstanding Reality-Competition Program Emmy. Modern game shows like Weakest Link, Greed, Who Wants to Be a Millionaire?, American Gladiators, Dog Eat Dog and Deal or No Deal also lie in a gray area: like traditional game shows (e.g., The Price Is Right, Jeopardy!), the action takes place in an enclosed TV studio over a short period of time; however, they have higher production values, more dramatic background music, and higher stakes than traditional shows (done either through putting contestants into physical danger or offering large cash prizes). In addition, there is more interaction between contestants and hosts, and in some cases they feature reality-style contestant competition and/or elimination as well. These factors, as well as these shows' rise in global popularity at the same time as the arrival of the reality craze, lead many people to group them under the reality TV umbrella as well as the traditional game show one.[11] There are various hybrid reality-competition shows, like the worldwide-syndicated Star Academy, which combines the Big Brother and Popstars formats, The Biggest Loser and The Pick-up Artist which combine competition with the self-improvement format, and American Inventor, which uses the Popstars format for products instead of people. Some shows, such as Making the Band and Project Greenlight, devote the first part of the season to selecting a winner, and the second part to showing that person or group of people working on a project. Popular variants of the competition-based format include the following:
Self-improvement/makeoverSome reality television shows cover a person or group of people improving their lives. Sometimes the same group of people are covered over an entire season (as in The Swan, Celebrity Fit Club, but usually there is a new target for improvement in each episode. Despite differences in the content, the format is usually the same: first the show introduces the subjects in their current, less-than-ideal environment. Then the subjects meet with a group of experts, who give the subjects instructions on how to improve things; they offer aid and encouragement along the way. Finally, the subjects are placed back in their environment and they, along with their friends and family and the experts, appraise the changes that have occurred. Other self-improvement or makeover shows include The Biggest Loser and Fat March, (which covers weight loss), Extreme Makeover (entire physical appearance), Queer Eye For The Straight Guy (style and grooming), Supernanny (child-rearing), Made (attaining difficult goals), What Not to Wear (fashion and grooming), Trinny & Susannah Undress (fashion makeover and marriage), The Bad Girls Club (lifestyles and actions), and Flavor of Love Girls: Charm School & Rock of Love Girls: Charm School 2 (manners). RenovationSome shows make over part or all of a person's living space, work space, or vehicle. The American show This Old House was the first such show,Template:Fact debuting in 1979. The British show Changing Rooms, beginning in 1996 (later remade in the U.S. as Trading Spaces) was the first such renovation show that added a game show feel with different weekly contestants.Template:Fact Other shows in this category include Extreme Makeover: Home Edition, Debbie Travis' Facelift, Designed to Sell, While You Were Out, and Holmes on Homes. Pimp My Ride and Overhaulin' show vehicles being rebuilt. Some shows, such as Restaurant Makeover and Ramsay's Kitchen Nightmares, show both the decor and the menu of a failing restaurant being remade. The issue of "making over" was taken to its social extreme with the British show Life Laundry, in which people who had become hoaders, even living in squaller, were given professional assistance. As with game shows, a gray area exists between such reality TV shows and more conventional formats. Some argue the key difference is the emphasis of the human story and conflicts of reality shows, versus the emphasis on process and information in more traditional format shows.Template:Fact The show This Old House, which began in 1979, the start to finish renovation of different houses through a season; media critic Jeff Jarvis has speculated that it is "the original reality TV show."[12] Social experimentAnother type of reality program is the social experiment that produces drama, conflict, and sometimes transformation. Wife Swap which began in 2003 on Channel 4 and has aired for four seasons on ABC is a notable example. People with different values agreed to live by each other's social rules for a brief period of time and sometimes learn from the experience. Other shows in this category include ITV's Holiday Showdown and Channel 4's Secret Millionaire. Faking It was a series where people had to learn a new skill and pass themselves off as experts in that skill. Dating showsUnlike the aforementioned dating competition shows, some shows feature all new contestants each episode. This format was first used in the 1960s show The Dating Game. Modern examples include Blind Date, Room Raiders, "Elimidate",Next, and Parental Control. Talk showsThough the traditional format of a talk show is that of a host interviewing a featured guest or discussing a chosen topic with a guest or panel of guests, the advent of trash TV shows has often made people group the entire category in with reality television. Programs like Ricki Lake, The Jerry Springer Show and others generally recruit guests by advertising a potential topic for a future program. Topics are frequently outrageous and are chosen in the interest of creating on-screen drama, tension or outrageous behaviour. Though not explicitly reality television by traditional standards, this (allegedly) real depiction of someone's life, even if only in a brief interview format, is frequently considered akin to broader-scale reality TV programming. Hidden camerasAnother type of reality programming features hidden cameras rolling when random passers-by encounter a staged situation. Candid Camera, which first aired on television in 1948, pioneered the format. Modern variants of this type of production include Punk'd, Trigger Happy TV, The Jamie Kennedy Experiment, Howie Do It and Rio Ferdinands World Cup Windups. The series Scare Tactics and Room 401 are hidden-camera programs in which the goal is to frighten contestants rather than just befuddle or amuse them. HoaxesIn hoax reality shows, the entire show is a prank played on one or more of the cast members, who think they are appearing in a legitimate reality show; the rest of the cast are actors who are in on the joke. Like hidden camera shows, these shows focus on pranks, although in these shows the hoax is more elaborate (lasting an entire season), the participants know they are appearing in a TV show (it is the true nature of the show that is kept secret from them), and the cameras are out in the open. Also, the point of such shows often is to parody the conventions of the reality TV genre. The first such show was 2003's The Joe Schmo Show. Other examples are My Big Fat Obnoxious Boss (modelled after The Apprentice), My Big Fat Obnoxious Fiance, Hell Date (modelled after Blind Date), Space Cadets (which convinced the hoax targets that they were being flown into space), The $25 Million Hoax (where a woman convinced her friends and family that she had won the lottery) and Invasion Iowa (in which a town was convinced that William Shatner was filming a movie there). Other shows, though not entirely hoax shows, have offered misleading information to some cast members in order to add a wrinkle to the competition. Examples include Boy Meets Boy and Joe Millionaire. Analysis and criticismInstant celebrityReality television has the potential to turn its participants into national celebrities, at least for a short period. This is most notable in talent-search programs such as the Idol series, which has spawned music stars in many of the countries in which it has aired. Many other shows, however, such as Survivor and Big Brother, have made at least temporary celebrities out of their participants; some participants have then been able to parlay this fame into media careers. For example, Elisabeth Hasselbeck, a contestant on Survivor: The Australian Outback, later became a host on morning talk show The View; and Kristin Cavallari, who appeared on Laguna Beach: The Real Orange County, has gone on to become a television host and actress. Tiffany Pollard, originally a contestant on Flavor of Love, soon afterwards got her own series, the successful I Love New York and I Love New York 2. In Britain, Jade Goody became famous after appearing on Big Brother 3 in 2002. She has since appeared on many other reality programs, and has launched bestselling books and a top-selling perfume line, among others. Reality TV contestants are sometimes derided as "Z-list celebrities" or Nonebrities who have done nothing to warrant their newfound fame.[13] As spectacle of humiliationSome have claimed that the success of reality television is due to its ability to provide schadenfreude, by satisfying the desire of viewers to see others humiliated. Entertainment Weekly wrote, "Do we watch reality television for precious insight into the human condition? Please. We watch for those awkward scenes that make us feel a smidge better about our own little unfilmed lives."[14] Media analyst Tom Alderman wrote, "There is a sub-set of Reality TV that can only be described as Shame TV because it uses humiliation as its core appeal."[15] Television critic James Poniewozik has disagreed with this assessment, writing, "for all the talk about 'humiliation TV,' what's striking about most reality shows is how good humored and resilient most of the participants are: the American Idol rejectees stubbornly convinced of their own talent, the Fear Factor players walking away from vats of insects like Olympic champions. What finally bothers their detractors is, perhaps, not that these people are humiliated but that they are not."[16] Political impactReality television's global success has been, in the eyes of some analysts, an important political phenomenon. In some authoritarian countries, reality television voting represents the first time many citizens have voted in any free and fair wide-scale elections. In addition, the frankness of the settings on some reality shows present situations that are often taboo in certain orthodox cultures, like the pan-Arab version of Star Academy, Star Academy Lebanon, which shows male and female contestants living together.[17] Journalist Matt Labash, noting both of these issues, wrote that "the best hope of little Americas developing in the Middle East could be Arab-produced reality TV."[18] In China, after the finale of the 2005 season of Super Girl (the local version of Pop Idol) drew an audience of around 400 million people, and 8 million text message votes, the state-run English-language newspaper Beijing Today ran the front-page headline "Is Super Girl a Force for Democracy?"[19] The Chinese government criticized the show, citing both its democratic nature and its excessive vulgarity, or "worldliness",[20] and in 2006 banned it outright.[21] As substitute for scripted dramaScreenwriter Sheryl Longin, who describes herself as "a reality show addict", has written that based on her experiences, "we may be approaching the death of drama," because seeing real people act naturally matches viewers' expectations of human body language in a way that actors cannot achieve: "Not even Sir Alec Guinness could give us the richness of body language and facial cues emanating from eliminated contestant 'Organic Josh' on this season’s Design Star. The difference to the brain between watching reality television and scripted drama is like the difference to our vision between High Definition television and 1970’s quality video."[22] VH1 executive vice president Michael Hirschorn wrote that the plots and subject matters on reality television are also more authentic and more engaging than in scripted dramas, writing that scripted network television "remains dominated by variants on the police procedural... in which a stock group of characters (ethnically, sexually, and generationally diverse) grapples with endless versions of the same dilemma. The episodes have all the ritual predictability of Japanese Noh theater," while reality TV is "the liveliest genre on the set right now. It has engaged hot-button cultural issues—class, sex, race—that respectable television... rarely touches."[23] Television critic James Poniewozik has written that reality shows like Deadliest Catch and Ice Road Truckers showcase working-class people of the kind that "used to be routine" on scripted network television, but that become a rarity in the 2000s: "The better to woo upscale viewers, TV has evicted its mechanics and dockworkers to collect higher rents from yuppies in coffeehouses."[24] Prior elements in popular cultureA number of fictional works since the 1940s have contained elements similar to elements of reality television. They tended to be set in a dystopian future, with subjects being recorded against their will, and often involved violence.
Pop culture referencesSome scripted works have used reality television as a plot device:
Other influences on popular cultureA number of scripted television shows have taken the form of documentary-type reality TV shows, in "mockumentary" style. The first such show was the BBC series Operation Good Guys, which premiered in 1997. Other examples include People Like Us, Trailer Park Boys, The Office, Drawn Together, Summer Heights High and Reno 911!. Some feature films have been produced that use some of the conventions of reality television; such films are sometimes referred to as reality films, and sometimes simply as documentaries.[27] Allen Funt's 1970 hidden camera movie What Do You Say to a Naked Lady? was based on his reality-television show Candid Camera. The TV show Jackass spawned three films: Jackass: The Movie in 2001, Jackass: Number Two in 2006, and Jackass 2.5 in late 2007. A similar Finnish show, Extreme Duudsonit, was adapted for the film The Dudesons Movie [3] in 2006. The producers of The Real World created The Real Cancun in 2003. Games People Play: New York [4] was released in 2004. The mumblecore film genre, which began in the mid-2000s, and uses video cameras and relies heavily on improvisation and non-professional actors, has been described as influenced in part by what one critic called "the spring-break psychodrama of MTV's The Real World". Mumblecore director Joe Swanberg has said, "As annoying as reality TV is, it's been really good for filmmakers because it got mainstream audiences used to watching shaky camerawork and different kinds of situations."[28] See also
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ReferencesExternal links
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